New Music Video Roundup 20/11/20

Hello everyone! Welcome back to the new music video roundup. We’re here for a roundup of ten of the best recently released music videos. They’re not all within the same genre and they’re all different in some way or another but that means that there’s a little something for everyone here but come on, let’s get down to the music!

First up this week we have the Australian outfit Bad/Love who recently released their latest single, ‘Social Suicide’ featuring Ken Crossfaith.

Social Suicide is a retort on how media influences society in an age where people are experiencing life through their phones.  

“Young women are chasing an unachievable photoshop appearance in order to feel accepted while boys are taught that they must not show emotion and should mistreat others to feel important.” says Landon Kirk.  He continues “Social media & marketing influences every step we take and we march blindly without free thought. We are losing what makes us human and are trading it in for a cheap artificial quick fix.  Social Suicide is an anthem to make people aware of the affect technology, media and social influence is having on the human condition and to be reminded to step away and find free thought once more.” 

“This song is a critical message to the generation of Social media. I’ve been doubting whether it is really important for our lives. It is helpful BUT I also think that we shouldn’t be addicted to social media platforms because sometimes it’s wasting our time. I’d rather face myself and get self evolution than become a slave of Social media. Conservation or Revolution, go pick one!” Ken Crossfaith

Now do you remember Palaye Royale’s track ‘Tonight Is The Night I Die’? It was a standout track on the record and we’ve been cautiously awaiting a music video. Now that time has come for a truly epic music video that can only be encapsulate Palaye Royale as the true visionaries they are.

This track is straight off their record, ‘The Bastards’ which is out now via Sumerian Records.

Next we have Equal Vision Records band Hail The Sun shared a new video for their song “Secret Wars.” Originally released on the 2017 EP of the same name, the band decided to create the video as a commentary to the actions and events that have occurred in 2020.

As guitarist Shane Gann explains; “After all that has transpired recently, we can’t help but think of this song, written back in 2017. We are pleased to have created a video for “Secret Wars,” which is all about the influence of those in power and how they keep us unaware.” The lyrical content of the track is just as prevalent now, paralleling the feeling that many are experiencing throughout the world today. Vocalist and drummer Donovan Melero elaborates; “I wrote this from a perspective of an instruction manual on how to control and manipulate the masses for a hidden agenda. I think powerful forces can do powerful things when we don’t know what’s happening.” 

We’re heading over to Florida for the band Wage War as they have dropped the video for the song “Surrounded.” The song will appear on the fifth anniversary vinyl edition of the Blueprints, which was the band’s debut record. It was released by Fearless Records on November 27, 2015. Pre-order the anniversary version, which features updated artwork and packaging and is out 4th December.

“Surrounded” is a previously unreleased track from Blueprints. The footage that comprises the video was culled from personal clips from the 212 shows the band played in 13 countries while supporting the record.

“To celebrate the five-year anniversary of its release, we’re excited to put out an unreleased track from our debut album Blueprints,” shares Wage War. “‘Surrounded’ is a song that easily could have made the record, but never found its place. Over the last five years we’ve grown together — as musicians and individuals. The release of ‘Surrounded’ has been a great time to reflect on where our careers started and a chance for some perspective.”

The visual truly captures Wage War in their element — on stage and giving their all while living life on the road and converting those who see them into fans.

Right, now we are in the Bay Area for metal titans Machine Head as they have released a new single “My Hands Are Empty,” today on Nuclear Blast. The song marks the first musical collaboration between MH mastermind Robb Flynn and original “Burn My Eyes” guitarist Logan Mader in 24 years.

From the haunting opening vocal, the classical drums, the melancholy guitar line, the listener knows they are in for something epic. The sky gets a little darker, the goosebumps start to prickle the skin, ears search to hear what comes next. By the time the verse kicks in, the heaviness overtakes.
“MISERY, cover me in waves, the heartache is slowly, withering, I become her slave”

And so begins a song of depression and opioid addiction, by Machine Head.

Guitarist/vocalist Robb Flynn begins, “I have some family members who have beaten their opioid addiction, and have some still in the throes of addiction. It is painful to watch, and I deal with it with great difficulty.  It is a song of sadness, but there is hope as well.  I have beaten my own drug addictions and we can fight through this, together, and share our pain with the world.”

He continues, “Musically I wanted to go for a bit of a “Through The Ashes Of Empires” vibe, and it had a grandiose vibe from the beginning, something about that vocal melody haunted me day and night. I sent it off to one of our collaborators Joel Wanasek, and he came back with a whole depth and dimension with strings and keys that really made the song come alive. I added the guitar harmony in the chorus soon after and I knew we were on to something special.

On the recent “Burn My Eyes 25th Anniversary Tour” I mentioned to Logan about needing a riff or two for a new song, he was excited to collaborate, I sent him the song and the next day he sent me back the heavy riff in the bridge and I was floored. It fit perfectly, and felt really cool to be writing together 24 years later.  Jared came up with the rhythm under the lead section and the song really locked into place.”

Guitarist Logan Mader adds, “During pre-pro for the BME anniversary tour last year, I had a special opportunity to collaborate with Machine Head for the first time in over 20 years. 

This is a big milestone for me, to circle back on a massive orbit around life and end up doing new music with MH is epic and unexpected. The song, “My Hands Are Empty” was almost completed but needed a riff or two. Robb sent it to me, so I jumped in and added a section which ended up in the master after some arrangement tweaks by Robb. The song is amazing. It was a great feeling to be in the studio with Robb after all these years and I hope to do it again!”

The earth-pounding drums were performed by Navene Koperweis (Whitechapel, Animals As Leaders) who performed on the track “Circle The Drain” (released in February) and the song feature trading vocals in the chorus between lead singer Flynn and bassist Jared MacEachern for a truly dynamic feeling musical piece.

Heading back to British waters for the the metalcore outfit Oceans Ate Alaska have debuted a new song called ‘Metamorph’, the band’s first offering of new material since their 2017 LP, ‘Hikari’.

“As the original lineup for Oceans Ate Alaska, we are hugely proud to announce our brand new single Metamorph,” the band says. “Time plays a key factor in growth. We as musicians have let this sink in over the past few years and expanded upon our influences and ideas. But the space we’ve had between us has brought a new creativity to the mix. Everything feels new, almost undiscovered. Prepare for a new era of music.”

The track also sees the return of original frontman, James Harrison, who left the band back in 2016. He was replaced by Jake Noakes (ex-Faultlines, ex-Laguna Sunrise), who has now stepped down to focus on his work as a tattoo artist.

Moving on in this weeks Music Video Roundup, the LA metal giants In This Moment have a special release in the form of‘As Above, So Below’, a track taken from their recently released seventh album, ‘Mother’.

“It’s a new level,” she said. “It’s empowering. It makes you want to hold your head high. I have guest singers. We’re covering a song. It is fire. It’s very powerful. And it’s such an honor to come together with these beautiful, powerful, talented, diverse people.”

Now, In This Moment are showing another side to their new music with the powerful video for “As Above, So Below.” Due to the coronavirus pandemic, the band had to approach this project a little differently. Directed by Brink, the “As Above, So Below” video features numerous captivating visuals and even portrays the In This Moment members as puppets.

“We are so excited to show the world the magic we created with handsomedevilspuppets and Jeremy Saffer,” Brink says. “It was a challenging time to bring a music video together with everything that’s been going on, so we had to get creative. We are so thrilled with the outcome and that we had to push ourselves out of our box to manifest this video. We feel grateful to collaborate with other artists and to be able to bring ‘As Above So Below’ to life for all of you. Enjoy.”

Ukraine’s busiest groove metal machine Jinjer are back with their brand new single “Retrospection (Live)”, taken from their upcoming live album: Alive In Melbourne, which will be released on November 20, 2020 via Napalm Records. The live album and subsequent videos were filmed on March 5th this year during their debut Australian tour with the pandemic hot on the heels of their Macro World Tour, which would sadly, along with the rest of the musical landscape come to a screeching halt a week after the Melbourne set was captured for on film. Still, with JINJER’s sheer will, drive, determination and never give up attitude they were able to turn the madness of this year into a positive.

Bassist Eugene Abdukhanov comments: It‘s still pretty incredible that 4 Ukrainians travelled 14,770 km just to sing in their native language … to the welcoming ears, eyes and open arms of Melbourne. This night will forever be burned in our hearts and the beat of “Retrospection” fit that night like never before. Shows like this should happen each time we perform and we cannot wait to get back on tour to make sure that happens every night. Until then just enjoy this moment in time called Alive In Melbourne

Despite the Global Pandemic, JINJER have managed to stay busier than before and besides releasing their debut live album, they toured Germany and Switzerland in September becoming the first non-European band to tour across borders during the age of Covid-19 and they are also currently filming videos for all remaining tracks on their previously released album Macro.

Things are looking great for JINJER right now.

Penultimate video for this week’s roundup and a left field choice is the Alt-Pop superstar Billie Eilish with her latest release, ‘Therefore I Am’.

The track comes with an official music video also directed by the 18-year-old, five-time Grammy winner, and was shot in a deserted Glendale Galleria shopping mall, a familiar stomping ground for Eilish during her early teen years.

You can check out her self-directed video for ‘Therefore I Am’ below.

And the last choice for this week had to be this band. They’re Post-Hardcore, they’re Welsh and they’re back with their latest effort in ‘Monsters’, Dream State’s first new music drop since the release of 2019’s Primrose Path.

Produced by long term collaborator Dan Weller (Bury Tomorrow, Enter Shikari) the new single is the first chapter for the band. Currently recording a new EP due for release in the first half of next year, the band will also head out on the road for their rescheduled UK tour supporting I Prevail and slots on both Slam Dunk and 2000trees festivals.

Speaking on the new song, CJ Gilpin (Vocals) says, Monsters is an expression of the inner goddess in me and is about the acceptance of my messy, chaotic energy; the owning and surrendering to who & what I am. It’s an awakening and I am saying, ‘I am okay with who I am and I will not be misled anymore’. It has taken lifetimes to get here.”

They’ve also released a video for ‘Monsters’, which you can check out below.

And that’s it for another week of a countdown of the best singles out in the world in the last week. Be sure to check back next-time for another round of great music videos. If you have any suggestions for me to check out, be sure to send an email or message us via the socials on Facebook or Twitter!

New Music Video Roundup 13/11/20

Hello everyone! Welcome back to the new music video roundup. We’re here for a roundup of ten of the best recently released music videos. They’re not all within the same genre and they’re all different in some way or another but that means that there’s a little something for everyone here but come on, let’s get down to the music!

Founded in 2003, WARFECT is one of the most convincing yet underrated acts in the Swedish metal scene. Straight from the Gothenburg underground, the three-piece carries their full potential to the next level with their fourth studio album Spectre of Devastation!

Fast screaming guitar tunes pave the way as brutal madness unfolds on “Into The Fray”. Swedish Thrash Metal War machine WARFECT pushes itself through spheres of pure heaviness directly into your core on their third single fresh off the new album, Spectre of Devastation, to be released this Friday, November 13!

WARFECT on ”Into The Fray”:
“The song “Into The Fray” is about the Russian submarine disaster when Kursk sank during a military training operation and the horrors the crew faced during this event. The music is not only fast but has also heavy mid-tempo sections – perfect for headbanging – and takes a more melodic turn coming into the chorus. Check it out!”

Next, we move to the the salty air for the Swedish sea dogs YE BANISHED PRIVATEERS whom are ready to trim your Christmas tree in the most chilling of ways! The collective just released their new holiday single, “Drawn And Quartered”, along with an official animated music video. 

Their new single is a rum-soaked harbinger of their upcoming 7inch, Drawn And Quartered, out on December 1, 2020 via Napalm Records – heralding in the jolliest season of the year in true swashbuckling manner, but with a ghoulish grin. Wrapped in the swag of pirate folk rock, the newly-interpreted, grim covers of two Christmas classics will draw the listener into a dark underworld of blood and bones. 

YE BANISHED PRIVATEERS on the new single:
“In YE BANISHED PRIVATEERS, for the last decade we have had a yearly tradition of defiling a Christmas classic. It started as an internal joke, never intended for an audience outside of the band. Now here we are today, releasing our 2020 annual adaptation on a metal label, haha! This year, it is the traditional carol “Hosanna in Excelsis (Ding Dong Merrily on High)” that has been dragged to the chopping block to be hung, drawn and quartered beyond recognition. We doubt that we will hear this version being sung by your average christmas choir anytime soon though.” 

Now for something a little more fresh. The seeds of In Parallel were planted late at night almost 5+ years ago in the back room of a picture frame shop. With nothing more than a looped electronic drum sample and a few guitars, the first notes became the framework of the song “Bridge and Tunnel.” This particular song and its lyric “walk through waves and wade where others won’t – choose your words, say what others don’t” became a mission statement of sorts – a musical rebirth for its four members.

It took multiple recordings for the band to get all the sounds on their debut EP ‘Broken Codes’ correct – so much so that they scrapped the first two versions entirely. The band was inspired by their love of dark 80’s pop and 90’s shoegaze and post-hardcore – creating a sound that aims to balance contrastingly melodic, expansive and ambient moments.

In Parallel consists of Lance Black, Jesse Fine, Ryan Parrish and Mark Nash. The band recorded the EP in Nashville with the help of their most devoted fans from previous projects (Celebrity/Hopesfall) through a crowdfunding campaign. Bypassing the traditional structure of the music industry gave the three-piece group the freedom to lean into technology, ultimately treading new territory both sonically and lyrically.

Moving to the Ukraine’s for their busiest groove metal machine in the form of  JINJER with their brand new single “Retrospection (Live)”, taken from their upcoming live album: Alive In Melbourne, which will be released on November 20, 2020 via Napalm Records. The live album and subsequent videos were filmed on March 5th this year during their debut Australian tour with the pandemic hot on the heels of their Macro World Tour, which would sadly, along with the rest of the musical landscape come to a screeching halt a week after the Melbourne set was captured for on film. Still, with JINJER’s sheer will, drive, determination and never give up attitude they were able to turn the madness of this year into a positive.

Bassist Eugene Abdukhanov comments: It‘s still pretty incredible that 4 Ukrainians travelled 14,770 km just to sing in their native language … to the welcoming ears, eyes and open arms of Melbourne. This night will forever be burned in our hearts and the beat of “Retrospection” fit that night like never before. Shows like this should happen each time we perform and we cannot wait to get back on tour to make sure that happens every night. Until then just enjoy this moment in time called Alive In Melbourne

Despite the Global Pandemic, JINJER have managed to stay busier than before and besides releasing their debut live album, they toured Germany and Switzerland in September becoming the first non-European band to tour across borders during the age of Covid-19 and they are also currently filming videos for all remaining tracks on their previously released album Macro.

Now I think we need an Aussie band right now.  How about a little bit of Bad/Love mixed with a bit of Crossfaith?

Social Suicide is a retort on how media influences society in an age where people are experiencing life through their phones.  “Young women are chasing an unachievable photoshop appearance in order to feel accepted while boys are taught that they must not show emotion and should mistreat others to feel important.” says Landon Kirk.  He continues “Social media & marketing influences every step we take and we march blindly without free thought. We are losing what makes us human and are trading it in for a cheap artificial quick fix.  Social Suicide is an anthem to make people aware of the affect technology, media and social influence is having on the human condition and to be reminded to step away and find free thought once more.”

“This song is a critical message to the generation of Social media. I’ve been doubting whether it is really important for our lives. It is helpful BUT I also think that we shouldn’t be addicted to social media platforms because sometimes it’s wasting our time. I’d rather face myself and get self evolution than become a slave of Social media. Conservation or Revolution, go pick one!” Ken Crossfaith

Moving on in this weeks roundup, She is considered a vocalist of many genres including Jazz, Blues, Pop, Fusion, and Opera. Gabriella Metz is also a composer and arranger of both Classical and Jazz music.

She had completed all academic levels of her music studies and had also earned her Vocal Performance Diploma from the renowned London College of Music, and had been accepted at the prestigious Berklee College of Music for her Professional Music Bachelor’s Degree studies.

Her pop/rock ballad debut EP “Breaking Infinity” was released on May 3rd 2019 on all social platforms.

Now, set your sails for an intoxicating symphonic reverie backed by the marvelously talented Bohemian Symphony Orchestra Prague! Today, VISIONS OF ATLANTIS release their third live single, “Wanderers”, along with a bewitching official video, cut from their very first live DVD / Blu-Ray / CD, A Symphonic Journey To Remember (out this Friday, October 30 via Napalm Records). 

Soft plugging violin lines and delicate piano harmonies encircle the marvelous intro, underlining the unique vocal range of exceptionally talented singer Clémentine Delauney. Cut from their chart-breaking album Wanderers, (#17 UK, #30 US, #39 DE) the bittersweet atmosphere even rises with the orchestra’s support and wraps the whole crowd into a pure maritime fairyland. 

A Symphonic Journey to Remember highlights the band’s musical expertise, whilst also showcasing their impressive, rousing journey through the maritime depths. With this memorable, first-class live appearance, VISIONS OF ATLANTIS present a new peak in their musical output and underline that they’ve arrived in the royal symphonic league!

Let’s move to DRONES next. This band are finally back with their first single since the release of their highly conceptual album ‘Exiled’, which was out in 2018. ‘Josephine’ is a deeply personal journey into vocalist Lois McDougall’s past unhealthy relationship with alcohol.

“Growing up in Britain with its normalised binge-drinking culture, I never thought much about the fact I was relying on alcohol to feel relaxed and to have fun,” she says. “It wasn’t until recently that I was forced to tear myself away from it and realised how badly alcohol had been affecting me and my relationships. I wasn’t in control and was abusing myself with alcohol to try and suppress my depression. People started referring to the intoxicated me as ‘Josephine’. At first this was funny. Josephine was a clown. But there’s nothing funny about self-abuse. This song is about me realising that. Alcohol can be great, but if you don’t feel like you can say no to it, it’s time for a change.”

The accompanying music video for the hard-hitting single is an out-of-this-world claymation that features intricate models of each band member, crafted by animator William Davies, embarking on a journey to another world. The band have also enabled a virtual situation where you can walk around the Planet Josephine that appears in the video. You can login, chat with other fans and walk your characters around the environment on Topia.

The London-based band have been building a name for themselves with their powerful, high octane live shows and unique punk-fueled post-hardcore stylings. From playing underground squats to appearing on festival stages, Drones are more than ready to hit the road again when the current climate allows. The band have already supported the likes of Marmozets, Neck Deep, Gallows, Funeral For A Friend, Mallory Knox, Young Guns and H2O, as well as playing Download festival and packing out their own headline shows.

Time for a left field choice and a breakaway from what we’ve had this week on the music video roundup. This is Nothing, Nowhere.

Made in collaboration with KennyHoopla and JUDGE, the single is the latest in a line of standalone tracks nn has dropped this year, including ‘pretend’ and ‘lights 4444’. The Mason Mercer-directed music video features Kenny and nn “on a covert mission into the depths of an illicit black market.”

On the track, nothing,nowhere. said “‘blood’ is about being a metaphorical killer; killing relationships with people you care about and getting caught in that toxic cycle. I recorded the song with JUDGE and Kenny in 20 minutes. I shot the video with Kenny in Boston and we got to hang out with a bunch of rescue animals. It was a beautiful experience to be able to combine my love of animals, film and music into one shoot.”

Now, we have a belter of a track for you from some absolute legends in Rock.

After announcing the details of their new album ‘Medicine At Midnight’ at the weekend, Foo Fighters have now released a visual for lead single ‘Shame Shame’.

Where the song is a slow burning and atmospherically gripping slice of rock, the video is much darker. Full of interpretive dance and striking visuals, we see Dave Grohl struggling his way through a landscape before falling into oblivion. 

This video is thought provoking to say the least but accompanied with the music, it’s one piece you can’t miss.

And that’s it for another week of a countdown of the best singles out in the world in the last week. Be sure to check back next-time for another round of great music videos. If you have any suggestions for me to check out, be sure to send an email or message us via the socials on Facebook or Twitter!