A huge 45 bands have been announced for the upcoming 2021 UK Tech Fest, including Sertraline, Thaeia, Osiah and more.
The 2020 iteration of the festival, similar to most live events this year was ultimately cancelled due to the ongoing Covid-19 Pandemic with most of the lineup being moved to the 2021 bill.
Check out the full lineup, including all the newly confirmed names listed below.
Azazel Altostratus Artificial Language Axiom Black Orchid Empire Controversial Cognizance Defamed Destrage Divine Chaos For The Fallen Dreams Form Subtract Frontierer Godsticks Gorod Hypno5e InMe Kmac 2021 Krysthla Loathe The Materia Matt Ball The Modern Age Slavery Monasteries Novena The Ocean OHHMS Osiah pg.lost Pound Project Mishram Red Method Reflections Sertraline Slice The Cake (UK exclusive) Soreption Thaeia Tiberius Uneven Structure (UK exclusive) Upon A Burning Body Viscera The Voynich Code Where Oceans Burn Wings Denied Within Destruction
The 2021 UK Tech-Fest will take place on July 1st – 5th 2021 at Newark Showground in Newark, Nottinghamshire.
Tickets are on sale now and can be purchased from the festival’s official website.
Hello everyone. I do apologise for not posting in the last week. As some of you might not know, I’m a one person operation on this blog and things just got away from me in the last few weeks where I’ve been applying for more jobs as well as working at my part time place of work so things have been a touch hectic for me at the time of writing. But enough of that real life stuff, let’s get to the music side of things.
The first pick of this week is Thousand Below. They have a animated video is a reworked version of their track ‘Chemical’. The track originaly featured on last year’s ‘Gone In Your Wake’.
This new version featured guest vocals from Dead Lakes frontman Sumner Peterson and is off their recent EP, ‘Let Go Of Your Love’ which does feature more reworked tracks off ‘Gone In Your Wake’.
Next we move to Australia. The heavy hitters in Alpha Wolf have their latest video for ‘Bleed 4 You’, which is the third single off their upcoming ‘A Quiet Place to Die’.
Sabian Lynch (Guitar) says on the track:
“This song is a little out of our comfort zone but upon completion we feel we created something special. We’re not a band who wants to stick solely to one sound, we have a wide variety of influences and we want each song to stand up on its own.
We initially had written pages of lyrics for this song. It seems most people have a story of meeting the exact right person at the exact wrong time, so there was no short supply of input. However the further we delved into the song, the more apparent it came that we didn’t need pages of lyrics, just a handful of the right words. Originally the track was a lot heavier, which shouldn’t come as a surprise, but once we had the lyrical theme in mind we revisited the song and it evolved into something none of us expected.”
Heading to the British waters for a bit of Punk this time in the form of Milk Teeth.
‘Sharks’ is off their recently released self-titled record where this video sees their fans assist in some clips.
“The video for ‘Sharks’ was put together to show fans and friends having fun during lockdown,” Becky explains. “It’s been a really weird few months globally and incredibly isolating for many, the aim of the video was to bring the music community together while we aren’t able be together in person. The submissions brought a lot of joy – a huge thank you to those who took part. Sharks is lyrically a very dark song juxtaposed against a catchy melody and tempo.
“Originally written on the piano, it’s about when I was being bullied for almost 2 years after a bad breakup and having to stay strong and determined even though I was getting swarmed by “sharks”. The “I need you like the air that I breathe” symbolises the unhealthy connection I had to the person involved – they were being abusive but I’d still feel like I needed them and their approval no matter how badly I was treated.
“The last verse is about how resilience is so important and that they may have left me vulnerable and metaphorically “exposed “ but that I wouldn’t be made to disappear until my bones have rusted out (resilience) and that even the wear and tear wouldn’t beat me.”
Keeping the next pick on British soil, Norwich’s Other Half released their debut record, ‘Big Twenty’ out into the world via Venn Records on the 21st August 2020.
Before that happened however, they dropped ‘Sameness Without End’ into the world for everyone to enjoy.
On the video, the band say:
“As nice as it’s been making all our previous videos ourselves, it’s pretty hard to get us all playing together when Sophie has to be stood behind the camera the whole time. I think we operate at our best when we’re actually making a din together, so we asked our friend Tom from Road Mutant to make us a video where we do just that.
We recorded the video at Sick Room, the studio where we recorded ‘Big Twenty’. Owen who runs Sick Room was such an important part of making the record so it was nice to come back and spend some quality time at the studio playing the same song over and over again in 33 degree heat.”
Now, in much anticipation of their upcoming record, ‘Ohmns’, Deftones have the title track in music video for for up. This is the first offering for us in four years since the release of their record ‘Gore’.
Moving onto the German progessive metal band The Ocean. they have a video for the track, ‘Oilgocene’ which is set to come on their upcoming record, ‘Phanerozoic II: Mesozoic | Cenozoic’.
The video was filmed by Loïc Rossetti (Vocals) and David Åhfeldt (Guitar) and Robin Staps (Guitar) , the video was shot in the Aragats mountains in Armenia during one of their tours last summer.
On the video Staps says:
“We found this place by accident: the dilapidated ruins of a soviet observatory & research station for cosmic radiation. The building itself looked like a spaceship that had crash-landed up high in the mountains, but there were lots of interesting structures scattered across the landscape: concrete cubes, underground tunnels, rusted machinery, fallen power poles and watchtowers. It all looked like taken straight out of Andrej Tarkovsky’s ‘Stalker’ movie.”
Heading over to Little Rock, Arkansas for our next pick in the quartet Pallbearer for the video of ‘Rite Of Passage’, the second single off their upcoming record, ‘Forgotten Days’.
Joseph Rowland (Bass) says:
“‘Rite Of Passage’ is both a reflection and a confessional. The toll that loss has taken on my life often finds ways to remind me that I may never feel whole, and the song’s purpose is to express and embody that emptiness. It felt totally appropriate to wrap it in reimagined trappings of our earliest doom-leaning material.”
Vegas anyone? That’s the destination of the Post-Hardcore Amarionette whom have the video for their title – track off their latest record, ‘Sunset On This Generation’.
How about a Philadelphia band?
The up and coming group Neverkept have a new single out in the world titled as ‘Sundown Somehow’ alongside the accompanying video.
It’s uncertain if the track is a stand along single or if it’ll be part of a larger EP or Record.
The band explain:
“We wanted to write something that would sound like the ups and downs you face in recovery or struggles in any capacity, for that matter, through the sound of pissed off guitars, room rocking drums, and intimate vocals.”
Toning things down slightly, we have the Chicago Singer/Songwriter Into It. Over It with the new track and accompanying video for ‘We Prefer Indoors’.
This is off the upcoming fourth record, ‘Figure’ set to be released via Big Scary Monsters / Triple Crown Records which will be the follow up to the 2016 effort, ‘Standards’.
And lastly we have the ever incredible Normandie, which is one of the EU’s best exports as well as their home country of Sweden.
They have for us ‘Jericho’ which is the bands first new music in two years since the release of their record, ‘White Flag’.
We all have our secrets. Whether we’re ready to face them or not, each and every one of us has something buried deep down inside that we desperately keep hidden away from the prying, judging eyes of the rest of the world. But sometimes those secrets become so powerful that they can no longer stay buried, festering and gnawing at our souls so much that they can stop us from living life to the fullest. He didn’t realise it until recently, but singer Philip Strand was harbouring one such secret for the longest time.
“When we first wrote Jericho I was actually singing about something else,” he begins. “It was originally about a relationship where the other person was very cold hearted and they didn’t really give away any emotions but it became increasingly clear that something else was driving the song.”
“Writing became like a therapy session for me, all of a sudden,” he explains, “I felt like there was something deeper I wanted to touch on. I wanted to touch base and just really go into this emotion. Something was driving me down there, into myself. So I made a conscious decision to write about my personal experiences for the first time. I felt like it was time. I went back and I switched some words around so that the entire meaning of the song shifted. It’s became about breaking down the old to give way and form something completely new…”
And that’s it for another week of the music video countdown. Be sure to check back next-time for another round of great music videos. If you have any suggestions for me to check out, be sure to send an email or message us via the socials on Facebook or Twitter!